Interview
Talking With
LAURIE HALSE ANDERSON
Laurie Halse Andersons newest character, Lia, of WINTERGIRLS, hears voices. And so does the author! I can make a lot of notes about a book, but until I can hear the character talking in my head, I cant write it. You could say that my books are audiobooks first, which I then translate into visual text. I think thats why I am so particular when it comes to listening to audiobooks. If the narrators voice doesnt ring comfortably inside my skull, I cant listen to the book.
Anderson was a language and linguistics major in college and picks up accents and new languages quickly. Theres something about the shape of a spoken word that resonates within me. Storytelling is traditionally an experience shared by the speaker of the tale and the listener. Written text is a relatively modern construct that doesnt always carry the same impact as the spoken story.
Lia, Andersons newest protagonist, struggles with an eating disorder that threatens to kill her. It wont take listeners long until theyre deeply inside the heroines head and heart. How did Anderson get involved with her character? She got into me. Theres some of me in Lias character, no doubt. Ive fought a bad body image most of my life, though I was never as close to the edge of death as Lia is. But her voice in my head is very distinct from my own. By the end of the book, I felt like Lia was haunting me, much as Cassie [Lias best friend who dies early in the book] haunts Lia in the story. It was a little unnerving.
Andersons work is diverse. She zips between genres and age levels. She might write a picture-book biography, then a historical novel, then on to a hard-hitting contemporary fiction for young adults. I love jumping back and forth between the forms. I think it keeps each book fresh and exciting for me because I dont have to grind out the same old, same old all the time. I think the best parts of my stories are written in my subconscious brain, anyway. My subconscious prefers to play in a different pasture than my conscious self. I cant imagine doing it any other way.
Whatever the form, each book has an innovative and gripping voice. Wintergirls, for example, is filled with word cross-outs that contribute to the characters tone. Theyre a critical clue to understanding the main characters struggles. I decided that strike-throughs give a stronger visual impact than the typical narrative devices. I first saw them used on blogs and realized theyre the perfect device for an unreliable narrator who cannot be honest with herself.
Its this authenticity that has won Anderson so many devoted young adult fans, this genuineness drawn from her own past. I was a confused and depressed teenager. My family went through a very rough patch during those years, and nobody would talk about what was happening to us. I completely understand the struggles so many teens have to cope with. I hope my books accurately reflect their pain and their path to uncover their strength.--Susie Wilde
APR/MAY 09
© AudioFile 2009, Portland, Maine
Photo © Joyce Tenneson
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LAURIE HALSE ANDERSON
Audiography
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