Narrator Simon Vance is a man of many voices, in both contemporary fiction and classic literature, and he’s won dozens of awards for his audiobooks. In our interview on The Download, Simon shares reflections about many books he’s narrated—starting off with children’s classics like THE WIND IN THE WILLOWS, he takes us through details of his process to create his distinct “vocal wizardry.”
“Sitting in my little box, I do my own thing—I am free to let my creativity roam far and wide.”—Narrator Simon Vance
“Focus on something. It’ll steady your nerves,” my mother advised. That’s why I stared fixedly at Mr. Potter the Latin teacher throughout my 6th grade recitation of “Oh Captain, My Captain” by Walt Whitman. Mr. Potter smiled benignly. And when my nerves settled, the words rose, heated, as they had not when I’d practiced, surprising me into passion. In the years since, I’ve found that whether in the midst of joy or sorrow, wistfulness or contentment, poetry speaks intimately to the heart and mind. It also demands to be spoken.
White men who died long ago wrote most of the poetry I learned in school. I still turn to it because the guys, including Whitman, really could write. Naxos AudioBooks’ Great Poets series has a fine collection, including Garrick Hagon’s Earphones Award performance of Whitman’s best known poems in THE GREAT POETS: WALT WHITMAN. Read more…
Every day we read, listen to, or watch a variety of media with specific purposes in mind: to gather information, find entertainment, explore a new culture, or participate in our own. Each should vary in delivery if we are to satisfy our goal: to learn, to relax, or to share in a sense of community. There is no one-size-fits-all presentation for a certain kind of content, and no one way of engaging with that content that will work for everyone.
And so it is when you choose audiobooks for yourself or for children. Beyond content, what sort of performance might best fit the material and help listeners satisfy their immediate needs? Luckily, the audiobooks available to us today continue to show growth the in diversity of their expressive styles as well as their range of content, both for adults and children. Some performance styles particularly enhance and expand the particular kind of content you seek on audio.
Looking for a satisfying escape through story? Certainly the acting performance of a skillful narrator—or multiple narrators, like in MANHATTAN BEACH—can move a thriller or a cozy mystery or a celebrity biography from page to sound, with highly enhanced entertainment value. Read more…
As we wrap up summer with a long weekend, the audiobook reviews this week put me in two minds. I want to extend my random “summer listening” choices just a little longer, but also know many of us have already turned to the more serious efforts of fall.
ARROWOOD, set in the London of Sherlock Holmes, looks like a great choice if you’re on a mystery bent. We’ve been doing a lot of listening around the upcoming Sherlock Holmes anniversary in October. Arrowood is a scornful, anti-Holmes detective portrayed by Malk Williams. It gets an Earphones Award, so well worth attention.
An ensemble of popular young adult writers including Libba Bray and Tim Federle offer a collection to wrap up summer with some teen listening: SUMMER DAYS AND SUMMER NIGHTS. Six narrators share the varied stories. The notion of “coming-of-age” comes to mind as I thought about the stories and how the end of summer often marks this transition.
The cultural commentary of Ben Sasse’s THE VANISHING AMERICAN ADULT has a lot to say about coming of age in 21st-century America. His friendly warning, as well as encouragement for parents, teachers, and officials, is worth checking out. Fiction is often the norm for listeners to explore coming-of-age stories, and I often think it’s a welcome way to learn about the customs, culture, and expectations of others ages and times—think Jane Austen. In a dynamic new production, Emma Thompson leads a full cast to present NORTHANGER ABBEY. The Gothic satire of Austen’s first novel makes good listening.
This week’s current darling of the publishing world, MY ABSOLUTE DARLING, is getting reviews and comments from critics as a major debut. As an audiobook, Gabriel Tallent’s debut is harrowing in a way that is different from the distress caused when we read text of graphic violence. Narrator Alex McKenna should be commended for her fortitude to perform the work and bring it vividly to listeners.
Can you think of other audiobooks that pack a punch that’s different from the experience of reading the same text in print?