A lot of us here at AudioFile happen to be mystery fans, so for our inaugural staff picks post, of course we had to share the thrillers that have been keeping us glued to our earbuds. We’ll be sharing more staff picks in a variety of genres in the coming months. But please do tell us—which mystery audiobooks are keeping you up listening late into the night?
This weekend I treated myself to listening to David Rintoul narrate MUNICH by Robert Harris. David has been one of my favorite British narrators over many years, though we have not heard as many of his performances in the U.S. in recent years. David simply immerses you in the story. He becomes every character like a shapeshifter—as a listener, you hardly know he’s there; it’s just the story, alive. The history surrounding the 1938 Munich Agreement is fascinating and makes an interesting companion to the recent film The Darkest Hour.
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I have a bit of an obsession with the Scandinavian and Nordic countries. I’ve been reading about them and studying different aspects of their culture, and I’m fascinated. Part of that intrigue may come from my affinity for their amazing crime fiction, which is actually a bit on the ironic side given their crime rates—Finland touts the highest murder rate among them at about half that of the United States but double Denmark, the nearest fellow Nordic country—but let’s not quibble.
While many may credit Swedish journalist Stieg Larsson with putting Scandinavian crime on the map, he isn’t the first of this region’s great writers. But he did garner global attention, and now crime fiction enthusiasts around the world have no trouble finding old and new titles alike from the many talented Scandinavian and Nordic writers creating dark and deadly tales.
I have to credit Norway’s Jo Nesbø with first hooking me on a geographical area far colder than any I’d opt to live in. I had barely started THE REDBREAST, narrated by Robin Sachs, before I knew I was a goner. Whether it’s a Harry Hole series audio or one of Nesbø’s standalones, I devour them all. I’m especially fond of John Lee’s consistently stellar narrations in the Harry Hole series. And you know I’m a devout fan of a writer when I can’t pass up a title, even if it is THE COCKROACHES. (At fewer than 7 murders per million people in Norway, I’m pretty sure Nesbø’s already exhausted them all as inspiration for his books.) Read more…
As kids, no one ever wants a curmudgeonly neighbor who’s regularly chastising them to “stay off my lawn.” That messes up all the games of kick-the-can and hide-and-seek. And what happens when your baseball accidentally goes in their yard? Lost. For. Ever.
But in other realms, the curmudgeonly characters are often some of the most well-loved. They’re the comic relief, the unfiltered voice, the personality we secretly hope we’re brave enough to embrace one day. And typically, there’s a pretty good heart buried deep inside as well. TV is full of these grouchy personalities: Leroy Jethro Gibbs from NCIS, Dr. Gregory House as the title character in HOUSE, and for those who can remember, Jonathan Higgins in MAGNUM, P.I.
Crime fiction also claims a number of delightfully cantankerous characters.
Louise Penny, whose new audiobook in the Three Pines series is GLASS HOUSES (and an Earphones Award winner), has crafted an excellent curmudgeonly specimen in Ruth Zardo. Penny’s expletive-spewing poet may walk around with a rain cloud over her head, but she brightens every scene she enters. Both Ralph Cosham in the early recordings and now Robert Bathurst illuminate her cranky disposition with aplomb, allowing that hidden softie to peek out just around her sharp edges.