Congressional hearings are a process of information gathering—both orally and aurally. Hearings might be called for democracy-threatening political disagreements, huge calamities with manmade elements, or the approval of candidates for important non-elected offices. This formal, often public, investigatory medium, with its spoken and heard nuances as important as the words transmitted, is very friendly to audiobook publishing and listening. Hearings have been recorded in sound media, as well as in transcript form, for over a century now. These recordings, as they relate to events included in audiobooks, may be in the form of archival clips, re-enactments, or elements of wholly fictional drama.
Among the past century of such Congressional hearings, events ranging from disaster at sea to dubious secret intelligence programs have given rise to such hearings. And the hearings have given rise to audiobooks for a variety of ages and in a variety of narrative styles. You can choose your concern or choose your genre to get a taste of listening to how hearings are realized by professional narrators and actors. Read more…
When I see a dazzling cast in films like Murder on the Orient Express, it reminds me how much I appreciate the dramatized programs that come to our audiobook ears. An audio drama brings the sound and lights into your personal soundspace. Whether it’s the footsteps behind you on a dark night, the tinkling of glasses as your heroine mixes a drink, or the bioengineered cat’s meow sound, effects and aural detail amplify the experience.
Looking at some of the new audiobook reviews this week, I see a theme of personal journeys—some fictional and some biographical. In an original audio adaptation, Susan Trott’s THE HOLY MAN is transformed into a full cast performance as THE MAN ON THE MOUNTAINTOP. Headlining the cast of this pilgrims’ tale are British actor Toby Jones and Stanley Tucci, who said the project “blends parable, myth, and morality with powerful and thought-provoking storytelling.”
At first, I confused Trott’s mountaintop and THE MOUNTAINTOP, the play by Katori Hall about Martin Luther King, Jr. This L.A. Theatre Works production is also an excellent listening experience, and a spiritual journey. A memoir of a slightly different type of journey, AN ODYSSEY: A Father, a Son, and an Epic by Daniel Mendelsohn, is also reviewed this week. Narrator Bronson Pinchot receives an Earphones Award for this memoir. Listening to even the briefest of sound clips lets you hear Bronson’s engaging style. Read more…
So many great listening choices this week, I could make a long list! Astronomy, history, education, political activism . . . it looks like nonfiction is catching my eye. For teachers and students getting ready to go back to school, here’s a welcome message. MAKE IT STICK is ready to toss out “learning the hard way.” Two cognitive scientists have teamed up with storyteller Peter Brown for a highly listenable audiobook offering some powerful strategies. Another work that addresses totally different educational challenges, THE BATTLE FOR ROOM 314 is an important, though harrowing, memoir from Ed Boland’s year of teaching at a New York City high school. Alongside this audiobook is Gwendolyn Brooks’s biography, A SURPRISED QUEENHOOD IN THE NEW BLACK SUN. Brooks, brilliant American poet, Poet Laureate, and first black author to win the Pulitzer Prize, is often known for her poem “We Real Cool.” As I was looking at details about Brooks, I found her reading of the poem.
A sad endpoint to Boland’s story, but learning about Brooks’s legacy offers listeners inspiration and admiration. Another dynamic listening experience is L.A. Theatre Works’ live-audience production of SEVEN, based on interviews with women activists from around the world.
For anyone who was wrapped up in this month’s solar eclipse, AMERICAN ECLIPSE, which is about the 1878 eclipse, has some fascinating history and scientific detail, as well as an astroid hunter. Narrator Jonathan Yen adds a lot to the listening experience. I can’t wrap up this week’s roundup without mentioning my nostalgia on seeing Louise Penny’s GLASS HOUSES. I love the Inspector Gamache books and admire the success of the change of narrators in the middle of the series. Robert Bathurst gets his second Earphones Award for his narration with the newest title. He took over for my lovely friend Ralph Cosham, who recorded the earlier titles and brought the series to listeners’ attention.
What are you listening to this week?