You’re stuck behind the lawn mower this glorious July week, or worse yet, behind a desk piled high with past-due deadlines while everyone you know on social media is vacationing. Would it help if I told you that my mother referred to mowing as “vacuuming the lawn”? No? Not even a chuckle? Well, I do care. So, in this week’s Audio Adventures, some wild, funny, scary, amazing trips guaranteed to set your audacious spirit free even if your body is inching along in summer suburban traffic. Read more…
An anti-Sherlock Holmes mystery set in the streets of Victorian London
AudioFile goes Behind the Mic with Malk Williams to hear more about his narration of ARROWOOD by Mick Finlay. We hear about the memorable characters Malk takes on in Finlay’s first novel about south London’s anti-Sherlock.
“The characters in Arrowood were just wonderful. You could practically close your eyes and see the dirt under their fingernails—that’s how good they were.” —Narrator Malk Williams
It began with “The Adventure of the Speckled Band,” which is arguably Arthur Conan Doyle’s most famous short story. I was 11 years old and at odds with the world when my mother thrust a heavy volume into my hands. Still complaining, I retired to my room. Within a page, I’d been offered a wonderful new nineteenth-century identity as Sherlock Holmes and Dr. Watson’s invisible sidekick. One who knew that only a dog cart throws up mud on a person’s sleeve in that way. “And then,” as Holmes explained, “only when you sit on the left-hand side of the driver.” Soon thereafter, we discovered the snake in the wall, that is, the speckled band, and I was hooked for life.
The Sherlock Holmes canon—four novels and 56 short stories—has remained in print since publication of the first novel, A STUDY IN SCARLET, in 1887. It’s inspired hundreds of screen adaptations (beginning with a silent film in 1900), radio and stage plays, and new Holmes novels and short stories by other writers. Luckily for us, that wealth has produced an equal richness of audiobooks. Read more…
This week 5 end-of-summer options that think about transitions
As we wrap up summer with a long weekend, the audiobook reviews this week put me in two minds. I want to extend my random “summer listening” choices just a little longer, but also know many of us have already turned to the more serious efforts of fall.
ARROWOOD, set in the London of Sherlock Holmes, looks like a great choice if you’re on a mystery bent. We’ve been doing a lot of listening around the upcoming Sherlock Holmes anniversary in October. Arrowood is a scornful, anti-Holmes detective portrayed by Malk Williams. It gets an Earphones Award, so well worth attention.
An ensemble of popular young adult writers including Libba Bray and Tim Federle offer a collection to wrap up summer with some teen listening: SUMMER DAYS AND SUMMER NIGHTS. Six narrators share the varied stories. The notion of “coming-of-age” comes to mind as I thought about the stories and how the end of summer often marks this transition.
The cultural commentary of Ben Sasse’s THE VANISHING AMERICAN ADULT has a lot to say about coming of age in 21st-century America. His friendly warning, as well as encouragement for parents, teachers, and officials, is worth checking out. Fiction is often the norm for listeners to explore coming-of-age stories, and I often think it’s a welcome way to learn about the customs, culture, and expectations of others ages and times—think Jane Austen. In a dynamic new production, Emma Thompson leads a full cast to present NORTHANGER ABBEY. The Gothic satire of Austen’s first novel makes good listening.
This week’s current darling of the publishing world, MY ABSOLUTE DARLING, is getting reviews and comments from critics as a major debut. As an audiobook, Gabriel Tallent’s debut is harrowing in a way that is different from the distress caused when we read text of graphic violence. Narrator Alex McKenna should be commended for her fortitude to perform the work and bring it vividly to listeners.
Can you think of other audiobooks that pack a punch that’s different from the experience of reading the same text in print?