In the midst of awards season, I’m always looking out for those that specifically celebrate audiobooks, like the Spoken Word Grammy (Carrie Fisher’s THE PRINCESS DIARIST) and The Odyssey Award (THE HATE U GIVE). Also, I love finding the audiobook companion of books that are being celebrated—the American Library Association awards announced this week offer a wealth of great listening. The Newbery Award, for example, given for the year’s “most outstanding contribution to literature,” honored HELLO, UNIVERSE by Erin Entrada Kelly. We’ve talked about and celebrated the audiobook for months—check out narrator Ramon de Ocampo in one of our Behind the Mic videos telling us how swept up he was in this book. It’s thrilling to know that it has received the great Newbery honor. You’ll be hearing more about one of the Newbery Honor titles, Jason Reynolds’s LONG WAY DOWN—we have an exciting interview with Jason about recording his audiobooks for our upcoming print issue. (Look for it April 1.) Read more…
As we wrap up summer with a long weekend, the audiobook reviews this week put me in two minds. I want to extend my random “summer listening” choices just a little longer, but also know many of us have already turned to the more serious efforts of fall.
ARROWOOD, set in the London of Sherlock Holmes, looks like a great choice if you’re on a mystery bent. We’ve been doing a lot of listening around the upcoming Sherlock Holmes anniversary in October. Arrowood is a scornful, anti-Holmes detective portrayed by Malk Williams. It gets an Earphones Award, so well worth attention.
An ensemble of popular young adult writers including Libba Bray and Tim Federle offer a collection to wrap up summer with some teen listening: SUMMER DAYS AND SUMMER NIGHTS. Six narrators share the varied stories. The notion of “coming-of-age” comes to mind as I thought about the stories and how the end of summer often marks this transition.
The cultural commentary of Ben Sasse’s THE VANISHING AMERICAN ADULT has a lot to say about coming of age in 21st-century America. His friendly warning, as well as encouragement for parents, teachers, and officials, is worth checking out. Fiction is often the norm for listeners to explore coming-of-age stories, and I often think it’s a welcome way to learn about the customs, culture, and expectations of others ages and times—think Jane Austen. In a dynamic new production, Emma Thompson leads a full cast to present NORTHANGER ABBEY. The Gothic satire of Austen’s first novel makes good listening.
This week’s current darling of the publishing world, MY ABSOLUTE DARLING, is getting reviews and comments from critics as a major debut. As an audiobook, Gabriel Tallent’s debut is harrowing in a way that is different from the distress caused when we read text of graphic violence. Narrator Alex McKenna should be commended for her fortitude to perform the work and bring it vividly to listeners.
Can you think of other audiobooks that pack a punch that’s different from the experience of reading the same text in print?