Like millions of others around the world, I went and saw Black Panther last weekend and was completely blown away. It was an amazing movie, and if you haven’t seen it yet, go!
There are many comic book explorations of superhero Black Panther out there, but only one has been recorded as an audiobook so far. BLACK PANTHER: The Young Prince is read with urgency and excitement by Dion Graham. As I left the theater, I was struck by the many outstanding science fiction and fantasy audiobooks that those who loved the world of Black Panther and Wakanda could dive right into, even if they are set outside of Marvel’s universe. Read more…
A former wildlife biologist, avid reader, and parent to two book-loving kids, Emily is excited to be jumping into the world of literature, and happy to be working with AudioFile’s wonderful team of reviewers.
Hello, universe, check out the spectacular listening in the Newbery and Odyssey Awards
In the midst of awards season, I’m always looking out for those that specifically celebrate audiobooks, like the Spoken Word Grammy (Carrie Fisher’s THE PRINCESS DIARIST) and The Odyssey Award (THE HATE U GIVE). Also, I love finding the audiobook companion of books that are being celebrated—the American Library Association awards announced this week offer a wealth of great listening. The Newbery Award, for example, given for the year’s “most outstanding contribution to literature,” honored HELLO, UNIVERSE by Erin Entrada Kelly. We’ve talked about and celebrated the audiobook for months—check out narrator Ramon de Ocampo in one of our Behind the Mic videos telling us how swept up he was in this book. It’s thrilling to know that it has received the great Newbery honor. You’ll be hearing more about one of the Newbery Honor titles, Jason Reynolds’s LONG WAY DOWN—we have an exciting interview with Jason about recording his audiobooks for our upcoming print issue. (Look for it April 1.)Read more…
Pairs: two identical, similar, or corresponding things that are matched for use together
This week I noticed an impressive crop of nonfiction audiobooks reviewed. Thoughtful and powerful audiobooks on immigration, politics, abuse, and race give us the chance to listen to important and varied perspectives. We often see some of these complex topics handled in both nonfiction and fiction. Listeners usually have a specific preference—a factual account, or the same topic with imagined historical or emotional detail. Here are some thoughts on audiobook pairs from our recent reviews.
Russell Shorto’s new history REVOLUTION SONG takes a look at the American Revolution through the stories of six people. I’ll pair that with IT OCCURS TO ME THAT I AM AMERICA, a collection of short stories by Richard Russo, Joyce Carol Oates, Neil Gaiman, Lee Child, Mary Higgins Clark, and thirty other contemporary authors.Read more…
As we close out our December celebration of the Best Audiobooks of 2017, I wanted to share some of our winning narrators’ lesser-known skills and challenges.
These are tidbits of information that enhance my admiration for their ability and occasional bravery. Such as not panicking when a spider lands on your hand while you’re trapped in a recording booth voicing a romantic scene. Xe Sands, who read Helen Rappaport’s CAUGHT IN THE REVOLUTION, is officially terrified of eight-legged creatures. Yet professional that she is, she didn’t react until she’d finished her sentence, exited the booth, and closed the door. That’s when she screamed her head off. Read more…
Today, we’re launching our annual celebration of Best Audiobooks. Choosing among ALL of the audiobooks we’ve reviewed this year, we selected titles that have special resonance as audiobooks. You can explore our choices from the Best Audiobooks Ezine. I love this edition because we’ve added video and sound clips to help you find your next great audiobook.
Throughout the month here in my Roundup, I’ll be highlighting a few of our choices from each of the nine subject categories. It’s quite hard to choose just a couple from the great titles in each genre—that’s why you’ll have to explore the whole list! I’ll start with Fiction and Memoir—two categories that always get a lot of attention. Read more…
National Book Award finalists offer thoughtful and inspiring listening
One of the great aspects of the National Book Awards is that they often highlight titles that may not be on your radar yet. And as listeners know, audiobooks can be a great way to increase your reading time and to tackle the problem of “so many books, so little time!” Among the finalist announcements this week, there are several audiobooks definitely worth taking the time to explore. We just reviewed SING, UNBURIED, SING with three narrators, Kelvin Harrison Jr., Rutina Wesley, and Chris Chalk, and picking up an Earphones Award. Two other finalists in the Fiction category,DARK AT THE CROSSING, with narrator Vikas Adam, and THE LEAVERS, narrated by Emily Woo Zeller, are also recommended.
Robin Miles on the dramatic conclusion to N.K. Jemisin’s award-winning fantasy
AudioFile goes Behind the Mic to learn about Robin Miles’s narration of the final novel in the Broken Earth trilogy, THE STONE SKY. Robin has narrated all three audiobooks in the series, and she brings listeners into a world of violent seismic upheaval.
“THE STONE SKY brought everything together at the end . . . the trilogy is a geologic wonder in literary form.”—Narrator Robin Miles
The lack of diversity in children’s books has been noted by many parents, teachers, librarians, and children who seek more new books that reflect experiences that are more inclusive than the traditional reflection of white middle-and upper-class characters and concerns.
Children’s authors, publishers, librarians, and book bloggers have written extensively through social media and editorials about the disconnect between available children’s books and potential audiences whose experiences were under-represented. Two movements, We Need Diverse Books (#WNDB) and #OwnVoices, were born.
While the We Need Diverse Books movement’s goal is to increase inclusivity overall, #OwnVoices specifically focuses on story creators. The message? Telling stories from marginalized experiences requires authenticity, and the storytellers who live outside the empowered culture are the ones whose voices need to be heard.
Francisca Goldsmith has worked with teens, collections, and administering branch services in public, school, and academic libraries in the U.S. and Canada. Connecting communities to information and supporting new Americans in learning both language and culture are her passions. To those ends, she’s worked with audiobooks and listeners for the past 20 years.