It’s back-to-school time, and August is National Crayon Collection Month. I didn’t know about this until I started researching blog topics—don’t ask, my mind works in scary ways sometimes. Anyway, there’s this cool non-profit organization aptly named Crayon Collection that gathers gently used crayons and distributes them to schools in high-poverty areas. This does two things: keeps perfectly good crayons out of landfills and puts them in the hands of children to encourage their creativity. Who knows, they may be the masterminds writing our mysteries of tomorrow!
Based on titles in the genre, our past and current scribes were likely influenced by the wax art supplies of their childhoods. Although they don’t get quite as creative as the marketing gurus at Crayola—laser lemon?—crime writers (and their publishers) make use of color frequently in titles. John D. MacDonald started the themed series fad using color names for his Travis McGee titles (THE DEEP BLUE GOOD-BY, A PURPLE PLACE FOR DYING, etc.). David Handler followed suit with his Berger and Mitry mysteries (THE COLD BLUE BLOOD, HOT PINK FARMHOUSE), while many other crime writers had single titles featuring a veritable rainbow of color names.