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Grover Gardner

Five Questions with Grover Gardner

Grover GardnerI don’t know why I always associate veteran narrator Grover Gardner with nonfiction, because although he does indeed narrate history, biography, and theology, he has worked on a full range of genres, everything from horror to light kids’ stories. While I’m not likely to listen to Grover’s Earphones Award–winning performance of THE STAND (I think it might be too spooky for me), I enjoy listening to his “charming voice” on much tamer audiobooks.

Grover has narrated hundreds of titles (no exaggeration), so it was just a little difficult to pick only five to show off his work. The titles featured today reflect my own tastes: These are audiobooks I recommend or that are on my personal to-be-listened-to wish list. Read more…

I'll Keep You Safe

Like Music to My Ears

There I was in the visitors’ gallery of the Old Bailey (London’s famed criminal courthouse made famous by Rumpole of the Bailey). The male and female barristers were indeed dressed in black robes with white collars and wigs of various shades of off-white, with tight rolls of curls and little ponytails down the back. The prosecuting barrister, with his elegant British accent, was reading the testimony of a young gang member accused of murder, with every third word being “like” (just as young folks do in the U.S.) and saying the “F” word with emphasis every other sentence.

I'll Keep You SafeThe situation made me realize how a charming, easy on the ears accent can really enhance the listening experience by capturing and projecting the right vibe for the characters and the story. But the intriguing thing is that it doesn’t necessarily mean the narrator’s accent has to match the location.

For example, I’LL KEEP YOU SAFE, the most recent in Peter May’s Lewis series, takes place on a Scottish island and is narrated by Peter Forbes with a strong but very easy to listen to and understand Scottish accent. Forbes ALSO narrates the recent re-recording of May’s THE FIREMAKER, the Chinese Thriller series which takes place in Beijing. In an Audible Sessions interview with May and Forbes, author May comments that he has come to view Forbes as his voice. May says that it doesn’t matter if the narrator is Scottish, Chinese, American, or English, it is the way the narrator is able to make the subtle changes in character that does the book justice. For the listener, this allows for a wonderfully engaging listening experience. Read more…

What Are We Doing Here?

What Are We Doing Here? Marilynne Robinson’s cultural criticism

In our latest Behind the Mic, narrator Carrington MacDuffie shares her experience narrating WHAT ARE WE DOING HERE? Essays by Marilynne Robinson.

“The depth and passions with which Marilynne Robinson explores her subjects—primarily theology— inspired me throughout.”—Narrator Carrington MacDuffie

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6 New Historical Fiction Audiobooks

Ride a Magic Carpet with 6 Historical Fiction Audiobooks

6 New Historical Fiction Audiobooks

Something I love about audiobooks set outside our current time and place is that the historical details make the listening experience so rich. We get a sense of the history of  the time—1920s Bombay, the Soviet Union in 1958, colonial America—but also details of customs, costume, and conventions. Wrapping these in the storytelling medium of audiobooks is the perfect way to transport the listener. I’m reminded of a vivid passage in THE WATER DIVINER, the brilliant Australian audiobook about a father and his sons who are lost at Gallipoli in 1915. The father transports the boys with stories of the magic carpet of THE ARABIAN NIGHTS. Narrator Jack Thompson took me aboard as well, and I’ve always liked the episode as a perfect example of what the best historical fiction audiobooks can do. Read more…

Jane Austen photograph

Let’s Flip Jane on Her Head

See the yellowed pages in my copy of PRIDE AND PREJUDICE?  That’s to prove that I am a true Janeite.

Bona fides established, let me tell you about the literary mashup PRIDE AND PREJUDICE AND ZOMBIES, by Seth Grahame-Smith, in which the basic P&P plot line and tone are intercut with zombies roaming the 19th-century English countryside. Yes, Jane and zombies are ridiculous, but I listened during one of those complicated family summers, and its occasionally gruesome silliness was a magic diversion.  Author Steve Hockensmith has written two subsequent mashups of the mashup, which are also crazy funny: PRIDE AND PREJUDICE AND ZOMBIES: DAWN OF THE DREADFULS and PRIDE AND PREJUDICE AND ZOMBIES: DREADFULLY EVER AFTER. Most importantly for us, all three were narrated by the amazing Katy Kellgren, who won an Earphones Award for the second volume.

Pride and Prejudice and Zombies
Longbourn
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