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Solve: Conclave

The Catholic Church’s election of a new pope epitomizes mystery for the vast majority of the world, and Robert Harris takes advantage of that fact in his new audiobook, CONCLAVE, narrated by Roy McMillan.

Harris weaves in power struggles, politics and puzzles to captivate the audience in this suspenseful pontiff selection. Narrator Roy McMillan takes full advantage of the opportunity to display his range. While not strictly miraculous, his transformation of Cardinal Lomeli, the protagonist, from dispirited to Spirit-filled is most certainly charismatic. And Earphone award-worthy.

Conclave

CONCLAVE
by Robert Harris,
read by Roy McMillan
Random House Audio
AudioFile Earphones Award

Read AudioFile’s full review and listen to a sound clip here, or browse more reviews of Robert Harris’s audiobooks.

Browse all of our newest mystery reviews to find your next great listen!

 

Behind the Mic: The Risen

AudioFile goes Behind the Mic to talk with Richard Ferrone. We knew that Richard’s gravelly voice and keen sense for haunting suspense would be perfect for Ron Rash’s THE RISEN.

“An author who can combine the lyricism of a poet with the ominousness of an Edgar Allan Poe.”—Narrator Richard Ferrone

the-risen

THE RISEN
by Ron Rash, read by Richard Ferrone
Harper Audio/ Blackstone Audio
Earphones Award Winner

Richard’s performance of Ron Rash’s lyrical storytelling is a treat for listeners.The tightly written mystery, set in a North Carolina backwoods, looks back forty years when the lives of two brothers were changed by a free-spirited girl. Hear a sound clip and read AudioFile’s complete review here.

Explore more audiobooks by Richard Ferrone!

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Richard Ferrone

Don’t miss out on all the new Mystery reviews from AudioFile

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John Lee – Interview with a Golden Voice

John Lee

When Golden Voice Narrator John Lee agreed to hop onto Goodreads for a narrator interview, we couldn’t believe our luck! John Lee is famous for his resonant voice, thoughtful characterizations, range, and stamina. He’s won awards for everything from serious history books to mysteries to Ken Follett’s sprawling novels. He has had many titles reviewed by AudioFile reviewers over the years, including the Earphones Award Winner Sweetland. Read a selection of our readers’ questions and John’s thoughtful answers below.

Q: I adored your performance of Georgina Harding’s The Solitude of Thomas Cave: A Novel, which takes place mostly in the Arctic winter. How did the situational details affect you while you were narrating?

John Lee: Some books excel at what I call mood. The Solitude of Thomas Cave seemed to have a sort of mournful music under the whole thing. It’s not quite the same as having an imagined soundtrack, it’s more like that unidentifiable hum you hear sometimes which catches your attention and you can never quite figure out where it’s coming from. That tone informs the whole reading and a book such as this requires a poetic approach or perhaps it might better be described as a musical approach: my tone needs to match what feels like the tone of the book. I certainly ended recording sessions on Thomas Cave with a sense that I was emerging from another world. It was very immersive.

Q: You are the historical fiction king—in my (audio)book. How do you decide if you’ll use an accent for characters or the narrative text? How do you prepare for speaking in an accent?

John Lee: The decision to use accents is always a tricky one. I just did a book about a historical Irish character and it was clear that both the narration and the characters needed to be in an Irish accent. Yet, if I am doing something like the Ken Follett’s The Century Trilogy there are dozens of accents and the narration needs to be in my voice simply to distinguish it from the Welsh and the German and the Boston ones. I prepare for doing accents mostly by trying to call up the voices of people who speak that way. It’s partly a visual recall of the people and partly a sort of recording I have in my head of their way of speaking.

Q:  Can you tell us how you engage emotionally with your characters and how you manage tension and pacing?

John Lee:  Pace is the heart of the matter. There are two basic schools of thought—one that the ear or brain takes in information at a certain speed, and that speed is quicker than you might think. The other is that a book is different from pure information and needs to be read a little slower. Because English people tend to speak more quickly than Americans, directors are always asking me to slow down. Speed, though, helps raise tension in the right places. And tension is that indefinable middle ground where the silence and the speed are just right. Engaging emotionally is a matter of basic acting. I am a creature of the theatre and came to audiobooks from a world where you know if you’ve paced yourself and held the tension well simply by sensing the audience’s reaction. I think of audiobooks as my personal theater space.

Jump over to John Lee’s narrator page for more of the interview, and come join the conversation in the Audiobooks group on Goodreads so you can take part in our next narrator Q&A!

Hear John Lee’s performances of The Century Trilogy that includes FALL OF GIANTS, WINTER OF THE WORLD, EDGE OF ETERNITY.

Tease: March Hot Picks

Succeeding against all odds. These Hot Picks may have a rocky road to romance… but it’s all worth it.

Bittersweet: True North, Book 1
by Sarina Bowen, read by Saskia Maarleveld, Tad Branson
Blackstone Audio
Audrey struggles to choose between her career as a chef and her old boyfriend, Griffin. 

Four Weddings and a Sixpence  
by Julia Quinn, Elizabeth Boyle, Laura Lee Guhrke, Stefanie Sloane, read by Mary Jane Wells
HarperAudio
Four young ladies at a boarding school hope a lucky sixpence will help them find husbands.

Someone to LoveWestcott Novel, Book 1
by Mary Balogh, read by Rosalyn Landor
Recorded Books
An orphan becomes an earl’s daughter but needs the help of the Duke of Netherby to fit in.

 

Hot Winter NightsA Bear Mountain Rescue Story
by Codi Gary, read by Jay Snyder
Hachette Audio
Montana heats up for Allie as she wavers between her hot landlord and a doctor at her trauma center.  

Staying for GoodMost Likely To, Book 2
By Catherine Bybee, read by Cristina Panfilio
Brilliance Audio   

Celebrity chef Zoe Brown returns to her native Oregon to face her past—and her past love, Luke.

Man on the Run
by Carl Weber, read by Kevin Free
Hachette Audio
Jailed unjustly, Jay enlists his three friends to help him turn his life around.  

Browse all AudioFile’s NEW Romance reviews

Solve: The 2017 Thriller/Suspense Audie Award Nominees

Special agents, spies, and GIs, oh my! The nominees for the 2017 Thriller/Suspense Audie Awards keep listeners on the edge of their seats. James Patterson’s 23rd installment in the long-running Alex Cross series vies with Matthew FitzSimmons’s debut of Marine Gibson Vaughn. This category is chock-full of adrenaline-producing audiobooks. The full list of nominees includes:

Cross Justice

Cross Justice
by James Patterson, read by Ruben Santiago-Hudson, Jefferson Mays
Hachette Audio
AudioFile Earphones Award

The Fall of Moscow Station

The Fall of Moscow Station
by Mark Henshaw, read by Eric G. Dove
Dreamscape Media

Hidden Bodies

Hidden Bodies
by Caroline Kepnes, read by Santino Fontana
Simon & Schuster Audio
AudioFile Earphones Award

Home

Home
by Harlan Coben, read by Steven Weber
Brilliance Audio

The Short Drop

The Short Drop
by Matthew FitzSimmons, read by James Patrick Cronin
Brilliance Audio

2017 Audies Finalists
The winner in this and the 25 other Audie Awards categories will be announced June 1st. In the meantime, let us know who you’re rooting for in this category. Which of these audiobooks really got your blood pumping?