It began with “The Adventure of the Speckled Band,” which is arguably Arthur Conan Doyle’s most famous short story. I was 11 years old and at odds with the world when my mother thrust a heavy volume into my hands. Still complaining, I retired to my room. Within a page, I’d been offered a wonderful new nineteenth-century identity as Sherlock Holmes and Dr. Watson’s invisible sidekick. One who knew that only a dog cart throws up mud on a person’s sleeve in that way. “And then,” as Holmes explained, “only when you sit on the left-hand side of the driver.” Soon thereafter, we discovered the snake in the wall, that is, the speckled band, and I was hooked for life.
The Sherlock Holmes canon—four novels and 56 short stories—has remained in print since publication of the first novel, A STUDY IN SCARLET, in 1887. It’s inspired hundreds of screen adaptations (beginning with a silent film in 1900), radio and stage plays, and new Holmes novels and short stories by other writers. Luckily for us, that wealth has produced an equal richness of audiobooks. Read more…
Golden Voice narrator Barbara Rosenblat chats with AudioFile’s Jo Reed about one of the most enduring partnerships in the audiobook world—that of “the Barbaras.” Barbara Rosenblat and Barbara Mertz, aka Elizabeth Peters. THE PAINTED QUEEN is the 20th in the Amelia Peabody mystery series—all narrated by Barbara Rosenblat.
THE PAINTED QUEEN was left as a partially finished manuscript when author Elizabeth Peters died in 2013. Mystery writer Joan Hess completed the manuscript, and as our reviewer said, Barbara Rosenblat brings to life the “delicious blend of love and mayhem.”
“What you’re doing is creating a world. You’re channeling an author and an author’s intent . . . and you let the author be there with you, because in fact you are collaborating in every sense with the author as you move along.”—Narrator Barbara Rosenblat
I have a bit of an obsession with the Scandinavian and Nordic countries. I’ve been reading about them and studying different aspects of their culture, and I’m fascinated. Part of that intrigue may come from my affinity for their amazing crime fiction, which is actually a bit on the ironic side given their crime rates—Finland touts the highest murder rate among them at about half that of the United States but double Denmark, the nearest fellow Nordic country—but let’s not quibble.
While many may credit Swedish journalist Stieg Larsson with putting Scandinavian crime on the map, he isn’t the first of this region’s great writers. But he did garner global attention, and now crime fiction enthusiasts around the world have no trouble finding old and new titles alike from the many talented Scandinavian and Nordic writers creating dark and deadly tales.
I have to credit Norway’s Jo Nesbø with first hooking me on a geographical area far colder than any I’d opt to live in. I had barely started THE REDBREAST, narrated by Robin Sachs, before I knew I was a goner. Whether it’s a Harry Hole series audio or one of Nesbø’s standalones, I devour them all. I’m especially fond of John Lee’s consistently stellar narrations in the Harry Hole series. And you know I’m a devout fan of a writer when I can’t pass up a title, even if it is THE COCKROACHES. (At fewer than 7 murders per million people in Norway, I’m pretty sure Nesbø’s already exhausted them all as inspiration for his books.) Read more…
AudioFile goes Behind the Mic to talk with Susan Bennett to hear her insights on narrating BECOMING BONNIE. On the 50th anniversary of Arthur Penn’s iconic 1967 film BONNIE AND CLYDE, listeners can explore this fictional account of young Bonnie and Clyde in 1920s Texas.
“I had never given much thought to the stories of Bonnie and Clyde before they became who we now know in our American crime lore.”—Narrator Susan Bennett
When the Nobel Prize for Literature was announced last week, it was a great pleasure to find that so many of Kazuo Ishiguro’s books are already available on audio.
THE REMAINS OF THE DAY, narrated by the impeccable Simon Prebble, may be the place to start exploring Ishiguro’s work in audiobooks. Simon delivers it perfectly with nuance of emotion and subtlety of accents. Some other Ishiguro audiobooks to look at—THE BURIED GIANT or the stories collected in NOCTURNES. Also, WHEN WE WERE ORPHANS which is narrated by John Lee (see more about John below).
Among the week’s newest reviews, there seem to be several that make a good run-up to Halloween. Since my post today happens to fall on Friday the 13th, a few scary tales to try your luck seem appropriate. Stephen & Owen King lead off with SLEEPING BEAUTIES. Women going to sleep and not waking up sounds pretty unlucky to me. THE BLACK HAND takes listeners to the wharves and warehouses of 1880s London and the origins of Italian crime syndicates. And if you want to to stay in the horror zone, THE BEST HORROR OF THE YEAR, VOLUME 9 has a collection of stories to curl your toes with every whisper. Read more…