It's common in twentieth-century American fiction to decry the emptiness of middle-class life, and BABBITT has become the eponym of that theme. Nobel Prize winner Sinclair Lewis is well served by narrator Adam Sims, who makes the shallow, hypocritical, money-grubbing George Babbitt more and more sympathetic as he learns--and struggles against--the limitations of his own nature.... Read More
            This audio version of a 14th-century English classic provides instruction on using contemplative prayer to come to know God. While it deals in highly serious matters, its tone is earnestly friendly and supportive, though also serious and occasionally monitory. Nicholas Boulton mirrors these characteristics with his pleasant voice; smooth, clear delivery; and amiable manner. He... Read More
            Narrators Samuel James, Billie Fulford-Brown, Imogen Wilde, and Johnny Heller provide accents ranging from British to Romanian to American in this tale of vampires and intrigue. The story is told through the journals and letters of the main characters. An appropriately British-accented Jonathan Harker arrives in Budapest, headed to Transylvania to meet the nobleman Count... Read More
            This novel, written in 1833 and considered a minor masterpiece, is expertly narrated by Justin Avoth. His erudite, perfectly paced voice describes the rigid, monotonous life of a provincial French family, the Grandets. The head of the family is a miser who cares more for gold than for either his obedient wife or his pious daughter, Eugénie. When Eugénie's cousin, Charles, comes... Read More
            Voicing multiple characters with little apparent effort, Golden Voice Nicholas Boulton keeps the listener engaged with this comedy of manners and mores in academia in 1972. The setting is a college in southeast England, where Professor Howard Kirk has come to teach sociology and, we learn, engage in intellectual jousting with colleagues while seducing his students. Throwing... Read More
            The year is 2092, and humankind has been beaten down by pandemics, floods, fanaticism, isolation, and wars. Narrating in a measured aristocratic tone, Justin Avoth channels the voice of the last man alive as he lays out Mary Shelley's 1826 dystopian vision of the future. All begins happily enough with young love, ambition, and the rise of kings, but constant war, a failed... Read More
            Adam Sims infuses this iconic American coming-of-age story with controlled energy. Considered an autobiographical novel and an example of Southern Gothic literature, the story of Eugene Gant and his family's struggles is rich in detail and poetic in language. Sims's voice has subtle depths that capture difficult scenes with the right amount of emotion. He does well with... Read More
            As the book world celebrates the 75th anniversary of Bradbury's classic, Dion Graham's stellar narration blasts off with a group of astronauts headed to Mars. The production opens with Graham's delivery of an editor's note intended to soften the offensive ideas in Bradbury's introductory essay, written in 1950, which explains his writing process for these interconnected... Read More
            Sounding majestic, theatrical, and ever so slightly sinister, veteran BBC actor Andrew Wincott has just the right voice to introduce the listener to three key selections of one of the greatest works of English literature. In this 17th-century work, Milton masterfully combines classical mythology, epic narrative, and biblical allusions to present Satan as a flawed, demanding... Read More
            An emotive full-cast adaptation of Austen's most famous novel ranges from stellar narrative performances to "Bridgerton"-esque laughter and sighs. There're no weak performances here, with Darcy (Harris Dickinson), Lizzy (Marisa Abela), her parents (Marianne Jean-Baptiste, Bill Nighy), and Lady Catherine (Glenn Close) especially owning Austen's spirit. Patricia Allison is... Read More
            David Timson performs Juvenal's 16 verse satires with energy, clarity, and precision. These works from the 2nd century CE are usually harsh, often personalized, diatribes against Roman--or simply human--venality and corruption. Timson's resonant voice and oratorical tones fit the rhetoric well. Occasionally, tirades are rife with homophobia, xenophobia, or misogyny and larded... Read More
            With crisp sound effects and an original score, Voices In the Wind Audio Theatre delivers a nice polish and American accents to Charles Dickens's classic 1866 story of the supernatural. When a newspaper reporter, portrayed with heartfelt energy by Laura Van Veen, calls "Halloa! Below there!" at the entrance of a railway tunnel, she's surprised to find a distressed and haggard... Read More
            A diverse ensemble of narrators brings this collection of speculative stories vividly to life. Each performance highlights their shifting tones of wonder, satire, and melancholy. Ali Andre Ali and Gary Furlong excel at conjuring textured voices that amplify the feeling of the uncanny. Corey Brill's thoughtful, measured pace underscores reflective moments, while Danielle Cohen... Read More
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