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Behind the Mic: The Yid

AudioFile went Behind the Mic to hear from Peter Berkrot about narrating THE YID, written by Paul Goldberg. Peter tells us that as he prepared for the narration, it brought back memories of his own family.

“It took me back to memories of my childhood, growing up and listening to my grandparents, and great aunts and uncles speaking Yiddish and laughing.”—Narrator Peter Berkrot

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Robin’s Roundup: October 6 New Audiobook Reviews

Sing, Unburied, SingOne of the great aspects of the National Book Awards is that they often highlight titles that may not be on your radar yet. And as listeners know, audiobooks can be a great way to increase your reading time and to tackle the problem of “so many books, so little time!” Among the finalist announcements this week, there are several audiobooks definitely worth taking the time to explore. We just reviewed SING, UNBURIED, SING with three narrators, Kelvin Harrison Jr., Rutina Wesley, and Chris Chalk, and picking up an Earphones Award. Two other finalists in the Fiction category, DARK AT THE CROSSING, with narrator Vikas Adam, and THE LEAVERS, narrated by Emily Woo Zeller, are also recommended.

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Aurelia’s Audio Adventures: Growing Up with the Vietnam War

The Vietnam WarSoldiers lunged muddy, exhausted, and wide-eyed across our kitchen table most evenings when I was a teenager. It was the Vietnam War, in all its fear and confusion, playing in black-and-white on the nightly news. I wish we’d had Ken Burns and Geoffrey C. Ward’s audiobook, THE VIETNAM WAR: AN INTIMATE HISTORY, to support our viewing, as it’s every bit as informative and wide-ranging as their recent PBS documentary. Though the audiobook is abridged, Burns won an Earphones Award for his clear and serious narration, which helped me concentrate on the hard story without turning away.

You see, in 1969, while waiting for my ride outside the San Francisco airport, I did look away when a soldier dropped a bulging duffle at his feet, and said, “I’m just back from Vietnam.” Such were my muddled emotions that to my eternal regret, I couldn’t even manage a “Welcome home.” Between them, Steve Sheinkin’s MOST DANGEROUS: DANIEL ELLSBERG AND THE SECRET HISTORY OF THE VIETNAM WAR, read by Ray Porter, and Howard Means’s 67 SHOTS: KENT STATE AND THE END OF AMERICAN INNOCENCE, read by Alan Sklar, help explain the mess we were in during those tumultuous times. They don’t absolve my rudeness to that soldier, but they put my reaction in context. Read more…

Solve: Mystery Series Week

Police at the Station and they Don't Look FriendlyDid you know that it’s Mystery Series Week? I stumbled on this little gem while doing some research and learned that Purple Moon Press, a small independent publishing company, created Mystery Series Week to celebrate those continuing characters who return time and again to solve the case. It’s celebrated annually during the first full week of October. After all these years, I’m still learning something new every day.

I warn people when they start asking me for recommendations that I can talk for a long time about books and audiobooks I love. This is especially true of series. I have my reliable go-tos, my new discoveries, my new-to-me discoveries, and some that I dip into every now and again when the mood strikes me.

I was glancing back over the series I’ve highlighted so far here at the AudioFile blog. There have been female sleuths (Sara Paretsky’s V.I. Warshawski), non-American crime fighters (Adrian McKinty’s Sean Duffy), damaged detectives (James Lee Burke’s Dave Robicheaux), and a little of everything else in between. And I’m sure I’ll continue to highlight great crime series. But in honor of this little-known week, I want to mention some series I love that maybe don’t get quite as much notice as others do. Read more…

Behind the Mic: The Stone Sky

AudioFile goes Behind the Mic to learn about Robin Miles’s narration of the final novel in the Broken Earth trilogy, THE STONE SKY. Robin has narrated all three audiobooks in the series, and she brings listeners into a world of violent seismic upheaval.

“THE STONE SKY brought everything together at the end . . . the trilogy is a geologic wonder in literary form.”—Narrator Robin Miles

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